APUA
an investigation about Carrara marble quarries in the Apuan Alps in northern Italy
Collaborative project with Flaminia Celata
2020-23
Video, photography, performance and sound
Funded by Stiftung Kulturwerk and VG Bild-Kunst (Neustart Kultur Program)
Scroll down for info.
an investigation about Carrara marble quarries in the Apuan Alps in northern Italy
Collaborative project with Flaminia Celata
2020-23
Video, photography, performance and sound
Funded by Stiftung Kulturwerk and VG Bild-Kunst (Neustart Kultur Program)
Scroll down for info.
![Landscape Archive, 2-channel video and sound installation, 22’12’’ ©️ CelataPraun 2023 / Video, sound and performances: Flaminia Celata & Bärbel Praun, 2020-22 / Sound composition in collaboration with Luca Baioni, 2023 / Frappant Gallery, Hamburg 2023 © Helge Mundt](https://freight.cargo.site/t/original/i/9e6199d67bac19044d52929d3aaffaf84855418c5a4f5c76e041e5404fe1fa6d/CelataPraun_APUA_Frappantgallerie7.jpg)
!['Statuario (Sternenträne)', still from video performance, 2021](https://freight.cargo.site/t/original/i/140ad12146058064e9929658033add4d8a57657811bf0c21e238bee72b2800e2/Screenshot-2022-01-04-at-13.03.37_web.jpg)
![](https://freight.cargo.site/t/original/i/ae3a3ff154b14c0e7d2b13a40298ae2e4948f96fe75f21dd4b832c22d6ee4958/CelataPraun_Apua01_web.jpg)
![](https://freight.cargo.site/t/original/i/1a9defb24bf8438a786af6ea951ad17796d79b6c837f4a0c859e60027cd23a42/CelataPraun_Apua02_web.jpg)
![](https://freight.cargo.site/t/original/i/4f2ecb09c6914b2de5db2627a61069c3c22e120f03af618c4b05887a1acb1070/CelataPraun_Apua03_web.jpg)
![](https://freight.cargo.site/t/original/i/1eaa8ee3b5a9d308ac8aa0edad8c2a337f48c4b6e03aca7675882762836f993b/CelataPraun_Apua04_web.jpg)
![from 'VOID', 13 analouge photographs, 2021/22](https://freight.cargo.site/t/original/i/66cec63291887ef697ba0afa6a63549aff4d2b00bb75cd82025bdf9ae8463420/_--_0016_web.jpg)
![](https://freight.cargo.site/t/original/i/b183b3b5fcd762bf020ded83fda0a637eefbdebd0765e24d82621c729d15510f/04820003_sm_web.jpg)
![](https://freight.cargo.site/t/original/i/8ebdc71e76052b93012d12a810eddfa24d86423483eba868a78635fd61ee300a/04820001_sm_web.jpg)
![from 'DUST'. Plants covered with marble and sand dust nearby a truck road to/from the quarries. 8 analouge photographs, 2022](https://freight.cargo.site/t/original/i/708f3dcf97f7c3b08764bb0fad615b406f95696b85ebc3f638ab732204be94c5/04820002_sm_web.jpg)
![DUST (front), Ephemeral Bodies (back), Frappant Gallery, Hamburg 2023 © Helge Mundt](https://freight.cargo.site/t/original/i/4bc526c69266a569ff6e14e7437052de59e46961054320f58186b2a681539e14/CelataPraun_APUA_Frappantgallerie4.jpg)
!['Building', still from video performance, 8’48’’, 2020. For marble mining, huge amounts of water are needed. One can find many left water pipes and water containers in the abandoned quarries. Water pipes and other discarded material are used for this performance.](https://freight.cargo.site/t/original/i/c5a2ca625af620633c2df9c02c91f7e0b2177cb481ed70c49a156ef6cd606a3d/APUA_CelataPraun2021.jpg)
![](https://freight.cargo.site/t/original/i/ef98b07627ebe49f51e5325564c9ed8c0c8ed79c824522de191e148994ed30f8/CelataPraun_APUA_Frappantgallerie1.jpg)
![from 'Ephemeral Bodies', 2021](https://freight.cargo.site/t/original/i/1bf2af6cf14e343b8a24e6dcb6db0ced6af6c36cb9631ac5176a7a3392f7d854/00015no1_039_web.jpg)
!['Ephemeral Bodies', installation with 40 still images from video performance, prints à 30x17 cm, 2021. image: Frappant Gallery, Hamburg 2023 © Helge Mundt](https://freight.cargo.site/t/original/i/42ea12ca683c7e7d013a5408e7f4d36039be6e0f2f73317486e2fce78883a484/CelataPraun_APUA_Frappantgallerie6_2.jpg)
!['Golden Water', video still, 11’09’’, 2022](https://freight.cargo.site/t/original/i/7dbcefcdd9540e9e85d407a348b80b10c050da69dfe865bddb3c89af06d72bff/Screenshot-2021-10-30-at-13.05.16_web.jpg)
![](https://freight.cargo.site/t/original/i/0b1cccbb634c3b36089fe3c6a4ff0406e240c336b0ba5961849337a9d6feaefd/IMG_8787_04_web.jpg)
![](https://freight.cargo.site/t/original/i/f940a4537b73f16e516a4270e09ef692540fe36de360b38cbf6f33133c6ccb82/IMG_8817_03_web.jpg)
![](https://freight.cargo.site/t/original/i/841ec28e39e51fb3d0e2019bfff581de3f6a4fdcb61f9de895c76de24abc08e4/IMG_8946_02_web.jpg)
!['Luna’s weapons', 7 photographs, 2022. “Marmor Lunensis” is how the Ancient Romans called the Carrara marble, connected to the Roman colony Luna, dedicated to the Moon Goddess. For this series, the artists used found working tools at the abandoned quarries, staging themselves in front of the camera, referencing Roman Greek Goddesses, equipped with powerful tools – aiming for empowerment and resistance.](https://freight.cargo.site/t/original/i/8a64f146d62efa26dac64e4306f3d62735b926426bb1fe7f710cd8b196b51129/IMG_9306_01_web.jpg)
!['Solanum Dulcamara (Homage to John Baldessari)', still from video performance, 2021](https://freight.cargo.site/t/original/i/9b70f5e493e36fcf3122c011bf59f62a869643150c60962494403508aaec0f01/Screenshot-2022-01-30-at-16.28.50_web.jpg)
Info:
The Carrara marble is one of the most popular and valuable types of marble in the world due to its whiteness, the absence of grains and impurities and its fine-grained structure. In the quarries - around 650, two thirds of which have been shut down or hollowed out - 5 million tons of marble are now mined annually for the world market in construction and calcium carbonate industries. With a turnover of several billion euros per year, the marble industry is a massively powerful one: work in the quarries that violate the law is the order of the day, local politics has come to terms - or gets involved. It’s an illegal quiet network selling itself as a business of integrity.
Marble mining and the further processing of the rock waste has transformed the region strongly: soil and water pollution, desertification, vulnerable karst ecosystems, massive disturbance of fauna and flora habitat and biodiversity are only a few environmental impacts caused by the excessive and irreversible human action of quarrying activities. Confronting themselves with both the sublime and shocking experience of the irresistible charisma of the white marble and the anthropogenic landscape, the artists encounter their feelings of loss and grief, and explore possibilities of care and resilience. Using the microcosm of scarred mountainsides, they address the global phenomenon of man-made alteration of nature and connection with place, and involve themselves in responding, interacting and performing in a wounded landscape.
exhibitions & screenings:
07-12/2024
XXIII Cerveira International Art Biennial (PRT)
10/2023: MATERIA PRIMA - due storie
screening of Landscape Archive (APUA)
open studio and exhibition with Erika Mayr at Progetto Esthia, Rome (IT)
09/2023: screening of Landscape Archive (APUA)
at PhMuseum International Photo Festival, Bologna (IT)
06/2023: FISSURES, group show Flaminia Celata & Bärbel Praun, Gaëtane Douin, Marie-Alice Schultz, Frappant Galerie Hamburg (DE)
Feel free to contact us for further info and vimeo access.
Find a trailer here.
The Carrara marble is one of the most popular and valuable types of marble in the world due to its whiteness, the absence of grains and impurities and its fine-grained structure. In the quarries - around 650, two thirds of which have been shut down or hollowed out - 5 million tons of marble are now mined annually for the world market in construction and calcium carbonate industries. With a turnover of several billion euros per year, the marble industry is a massively powerful one: work in the quarries that violate the law is the order of the day, local politics has come to terms - or gets involved. It’s an illegal quiet network selling itself as a business of integrity.
Marble mining and the further processing of the rock waste has transformed the region strongly: soil and water pollution, desertification, vulnerable karst ecosystems, massive disturbance of fauna and flora habitat and biodiversity are only a few environmental impacts caused by the excessive and irreversible human action of quarrying activities. Confronting themselves with both the sublime and shocking experience of the irresistible charisma of the white marble and the anthropogenic landscape, the artists encounter their feelings of loss and grief, and explore possibilities of care and resilience. Using the microcosm of scarred mountainsides, they address the global phenomenon of man-made alteration of nature and connection with place, and involve themselves in responding, interacting and performing in a wounded landscape.
exhibitions & screenings:
07-12/2024
XXIII Cerveira International Art Biennial (PRT)
10/2023: MATERIA PRIMA - due storie
screening of Landscape Archive (APUA)
open studio and exhibition with Erika Mayr at Progetto Esthia, Rome (IT)
09/2023: screening of Landscape Archive (APUA)
at PhMuseum International Photo Festival, Bologna (IT)
06/2023: FISSURES, group show Flaminia Celata & Bärbel Praun, Gaëtane Douin, Marie-Alice Schultz, Frappant Galerie Hamburg (DE)
Feel free to contact us for further info and vimeo access.
Find a trailer here.